Roland Dürre
Wednesday October 17th, 2018

Arcis Vocalisten Will Sing the Mozart Requiem

I always enjoy advertising the Arcis-Vocalisten Concerts!

This time, it is the famous Reqiuem by Mozart!

Mozart’s music is so pure and beautiful that I consider it the inner beauty of the universe itself (Albert Einstein)
In Mozart’s mysterious legacy, his last composition, the masterpiece “Requiem”, his steadfast faith is just as ever-present as his constant preoccupation with death. The Requiem is probably Mozart’s most humane work – a kaleidoscope filled with emotions: hopeless and hopeful at the same time.

RMD
(Translated by EG)

On Friday,

the arcis-vocalisten

will sing in the Himmelfahrtskirche in Munich Sendling,

I am last-minute advertising this unique concert, but not only because tickets are still available. Above all, I point you towards this concert because it is going to be n absolutely unique experience. One that you will not wish to miss!

One specialty about it is that it is sung a-cappella, which means there are no instruments, let alone an entire orchestra to accompany the singers. Naturally, this is much more demanding for the singers, since nobody plays along with what they are supposed to sing.

Another specialty is that there will be a world premiere:

Markus Fritz is himself a member of the choir. He is also the composer of the work
„De Tranquilitate Animi“
after words by Seneca!!!

You will also hear the “Missa in F Major” by J. G. Rheinberger and the motet Opus 74 No. 1 by Brahms, as well as a few Kaminski songs.

FlyerACapella

If if would not be staying in France this Friday, I would definitely be among the audience.

Not only, but also because Evelyn (EG) sings in the choir.

RMD
(Translated by EG)

Roland Dürre
Saturday April 9th, 2016

Arcis Vocalisten will sing BELSHAZZAR !!!

On May, 7th and 8th, at 7 p.m., the Arcis Vocalisten will sing and act the the choir part of the scenic performance of BELSHAZZAR by Georg Friedrich Händel, in the Sendlinger Himmelfahrtskirche. All parts are sung in the original English version, although there will be some comments in German!

BelshazzarOf course, Evelyn is again part of the choir. Here is what she wrote me:

For me, the Belshazzar will certainly be the absolute highlight of the year: it is a scenic performance and in English. Incidentally – because you are always so enthusiastically fighting for peace – we sing texts such as “sweet liberty, beautific peace“ and ”let war and slavery be no more“ … all of which, if you look at the current situation world-wide, are highly up-to-date.

Here is the official information on the play (source: arcis vocalisten):

The oratorio Belshazzar by Georg Friedrich Händel, first performed in 1745, unites an exciting dramaturgy with a rich musical use of forms and typically “Händel-esque” richness of ideas in the composition. Regardless of initially having been meant for concert singing only, the piece has such a dramatic content that it basically calls for a scenic performance.

This is what the Arcis-Vocalisten will realize on Mai, 7th and 9th, 2016 in the Sendlinger Himmelfahrtskirche. Great soloists and the baroque orchestra L‘Arpa Festante will be singing and playing under Thomas Gropper and directed by our well-proven Dieter Reuscher.

Thomas Gropper (Leitung)
Dieter Reuscher (Regie)
Gerrit Jurda (Licht)
Arcis-Vocalisten München
Barockorchester L‘Arpa Festante

Solisten
Richard Resch (Belshazzar)
Susanne Winter (Nitocris)
Nicholas Hariades (Cyrus)
Andreas Pehl (Daniel)
Thomas Stimmel (Gobryas)

The Belshazzar is an extraordinary project for all the artists involved. It is guaranteed to be this year’s number one concert and a huge party both for those on stage the audience. I very much regret that I cannot be there, because I will be in Italy during the first 14 days of the merry month of May.

RMD
(Translated by EG)

Roland Dürre
Tuesday September 25th, 2018

The Arcis-Vocalisten Will Sing CARL LOEWE (on October, 22nd, 2018)

Once again, there will be a concert by the Arcis-Vocalisten. And as always, it is my pleasure to do some advertising for the choir. After all, I personally know at least two of the singers.

Ropes of Death – the passion oratory by Carl Loewe.

Most of the musically interested people will know Carl Loewe (1796-1869) as a prolific composer of songs and master of ballads who was quite adept at mirroring character. Only few people know that his major profession was that of cantor at Stettin’s main church, St. Jacobi, where he also worked as the town’s musical director. We have 17 clerical and secular oratories that document his work. The passion oratory “Das Sühneopfer des Neuen Bundes”, which he probably wrote in 1847, is one of the central pieces.

The Arcis Vocalisten will present this concise and penetrative music that is well worth re-discovery with an excellent set of soloists and the renown orchestra in original pitch “L’arpa Festante”. They will also make a recording with the Bayerischer Rundfunk and the label OehmsClassics in a time-consuming studio production.

Loewe’s language of sound expertly combines the power and suggestiveness of Händel’s choirs with the sound of Bach’s passions, especially in the words of Jesus, and with his own melodious and sensual song artistry in the arias and ensembles. The composer made a conscious effort at creating something meaningful that lies between opera and oratory.

 

 

 

 

RMD
(Translated by EG)

On May, 6th, you can again hear them: the ARCIS VOCALISTEN will sing in the Munich-Sendling Himmelsfahrtskirche.

Together with famous soloists, they will sing the PAULUS by FELIX MENDELSON BARTHOLDY, which is a theological oratorio in two parts.

 

“Rise Up, Arise and Shine!“

In 1836, the then 26-year-old musical genius Felix Mendelssohn Bartholdy presented his first monumental biblical oratorio, the history of the apostle Paul. Beginning with his origins as Saul, the hunter of Christians, the story is about his Damascus experience, his crisis of faith and his new religious conviction, until he is finally described during his missionary travels.
Great representative choir movements, sensitive chorales, memorable arias are form a unit that finally becomes a huge, two-hour theological opera in Mendelssohn’s sensually romantic expression.

The Arcis-Vocalisten will present PAULUS in maximum choir strength and will be joined by young and exquisite soloists such as Judith Spiesser, who was last successful as Lucia di Lammermoor at the Landestheater Niederbayern. The other soloists are the mezzo soprano Florence Losseau, the tenor Christian Zenker who spent many years performing in the Innsbruck and Graz theatres, and the basso-baritone Alban Lenzen in the title role.

The accompanying orchestra is the Konstanz Südwestdeutsche Philharmonie. The director is Thomas Gropper.

The concert on Sunday, May, 6th, 2018, at 7 p.m. is in one of the churches most suited for the performance of this kind of music, the Himmelfahrtskirche in München-Sendling, Kidlerstr.15.

The musical director will give an introduction to the work at 6 p.m. Tickets are available at MünchenTicket and directly before the concert. For IF-Blog.de readers who want to enjoy the concert, we can arrange a small bonus. If you are interested, just send an email to me under the title “Arcis-Vocalisten.
? I will reply!

RMD

and Great and Unique Soloists and Orchestra!

 


In 1729, when Joh. Seb. Bach first played his “St-Matthew’s Passion” during the Good Friday Vespers in the Leipzig Thomas Church, the audience was overwhelmed. The huge cast with soloists, two choirs and orchestra, along with the moving expressiveness surpassed all that had ever been conceivable. Bach tells the Tale of the Woe Jesus lived in a very haunting way. It is a top work of musical history that forms the drama of what happens in the Passion to become one musical-theological entity.

“Between emotionally sung arias and salivating tuba choirs: humanity versus injustice and death. With his Arcis-Vocalisten, Thomas Gropper gains graphic expression, even though he does without martially blaring avowals. The chorales are permitted to stream in wonderful sensuality, which is a much more convincing way of giving the secret of faith a voice” (“Klar und lyrisch”/SZ 4/13).


 

The Arcis-Vocalisten are a very special choir, not only because Evelyn (EG), who translated many IF Blog articles, is one of them.

And to top it all:


IF Blog readers who would like to delight in the concert can get a special discount. If you are interested, just send me an email with reference to “Arcis-Vocalisten”.

RMD
(Translated by EG)

Roland Dürre
Monday November 28th, 2016

A Christmas Oratory that is a Little Different

Logo ArcisVocalisten
What would the advent and Christmas time be for music lovers without a Christmas Oratory?
Not only the fans of classical music find that the festive sound is an integral part of the quiet time of each year. And whenever the word “Christmas Oratory” is spoken, everybody knows immediately who is the composer: of course, the Leipzig Thomas cantor Johann Sebastian Bach! And there is definitely no other option. Or is there?

On Monday, December, 5th, 2016, at the Sendling Himmelfahrtskirche, you can find the proof that another baroque master, too, wrote a really great piece when composing his Christmas Oratory. It is absolutely great music that goes straight to the heart of the audience and creates a festive Christmas atmosphere almost by itself: we are talking the Christmas Oratory “Mache dich auf, werde Licht (Go Ahead, Become Light)”, a work written by Carl Heinrich Graun, who was impresario of Frederic the Great.

After having sung – and recorded in cooperation with the Bayerischer Rundfunk as a CD – Graun’s Passion Oratorio “Der Tod Jesu/The Death of Jesus” in 2014, the Arcis-Vocalisten have now worked on the Christmas masterpiece composed by the impresario of “Old Frederic”.

For Professor Thomas Gropper, the choir director of the Arcis-Vocalisten, it is the differences between this work and the ever-present Bach Oratorio that make the work on it particularly attractive:
“Even the libretto is structured totally different from how Bach did it in his Christmas Oratorio – Graun took only very few of the original sentences from the Gospel of Luke, instead making heavy use of free contemplation and dialogues”, says Gropper. “And there is much more of the “gallant” concept that will be setting new trend in Graun’s music than in that of the Thomas Cantor. Said concept being the already quite obviously emerging more sensitive style that became generally accepted at the time the work was composed in 1735”.

The masterpiece was only re-discovered in 1999 and is characterized by a skilful change between melodic and challengingly counterpoint-oriented choirs and sensitively voice-caressing arias that have been given an extremely colourful orchestral accompaniment: festive string and trumpet sounds on top of the Christmas Atmosphere. Well, it is a somewhat different Christmas Oratorio…

Source: ARCIS-VOCALISTEN
(Translated by EG)

As you all know, it is always my pleasure to advertise concerts by the Arcis-Vocalisten in my IF Blog. One of the reasons is that Evelyn is a passionate part of the choir, another reason is that their concerts are always a very special experience for the audience!

Mozart

 

 

 

Translation:

“Mozart’s music is so pure and beautiful that I consider it the inner beauty of the universe itself” (Albert Einstein).

“The taste of death is upon my tongue. I feel something that is not of this world” (Wolfgang Amadeus Mozart, last words on Dec, 5, 1791).

In Mozart’s mysterious legacy, his last work, this masterpiece of a requiem, both unquestionable faith and the constant mental occupation with death are ever-present. When, in July 1791, Earl Walsegg of Stuppach commissioned the requiem, Mozart thus composed his own death eulogy. Numerous legends have been told around the work, partly also promoted by the cinema hit “Amadeus”. The Requiem is one of the most touching works of clerical music and especially its religious depth and narrative drama make it such a unique and fascinating composition.

And it gets even better:
For IF Blog readers who would like to go to the concert, we have a special discount. Just contact me . The magic word is “Mozart“!

RMD
(Translated by EG)

P.S.
Here is another upcoming concert by the Arcis-Vocalisten on Silvester evening: Beethoven and Bruckner!

If you want something very special for the turn of the year!

I always tell you about the Arcis-Vocalisten concerts – not only because Evelyn (EG) is one of the singers, but also because the concerts are always something special, filling the hearts of the audience with great joy!

Beethoven

 

Translation:

“Music aims at filling your heart with noble emotions” (Confucius).

The 9th symphony by Ludwig van Beethoven is one of the most popular monumental masterpieces, the culmination point of his composing career. There is no other work that suggests the ideas of peace, freedom and fraternity more forcefully than this one. With its grandiose choir finish using Frederik Schiller’s “Ode to Joy” and its message of the fraternity of all humans, it is an elemental ritual to perform at the turn of the year: “All humans will be brothers where your gentle wing is present”.

We have a special discount for IF Blog readers who want to go to the concert …

All you need to do is contact me. The password is “Beethoven“.

RMD
(Translated by EG)

Roland Dürre
Thursday July 21st, 2016

Again in Munich: The Arcis-Vocalisten: HAYDN!

After the concert is before the concert!

This is apparently the motto of the Arcis-Vocalisten! As early as August, 6th, they and their partners will, again, present a work of music:

Haydn

In this brilliant oratorio, Haydn combines the sum of his own competence with Bach’s counterpoint, Händel’s magnificence and Mozart’s melodiousness. Haydn’s musical cosmos stretches from naïve tone painting to a progressive “Introduction of the Chaos” before the world was created – an ingenious musical sheet of pictures.

Again, I cannot go there. Because two very cherished friends of mine celebrate their 60ieth birthday. But perhaps you can go? I am sure you will not regret it!

RMD
(Translated by EG)

P.S.
For IF Blog readers who are interested, there is a special discount …
Just send  me an E-Mail titled: Haydn.