Christmas is near!!!

 

What would Christmas be without music?
Music without singing?
Singing without a choir?
And the choir without the Christmas Oratorio?

Johann-Sebastian Bach’s Christmas Oratorio is part of the Festive tradition as much as the lights sparkling in the tree and the butter cookies. As early as the first alto-aria “Bereite dich Zion!” and the following choral “Wie soll ich dich empfangen?”, Bach’s great music gives fulfilment with every year anew. Beating drums, blaring trumpets, magnificent flutes and oboes, the murmur of the bassoon, the satin sound of the violins, violas, celli and contrabass will welcome Christ the child.

RMD
(Translated by EG)

It is a little sensational:

In the Himmelfahrtskirche München-Sendling, there will be two concerts late in May; they complement each other in terms of subject matter:

Two “Operatic Concerts” about Orfeo in authentic sound quality!

 

On Thursday, May, 25th, 2017:

 

C. W. Gluck

Orfeo ed Euridice

 

On Sunday, May, 28th, 2017:

 

C. Monteverdi

L‘Orfeo

 

Both concerts begin at 7 p.m.!

The two composers lived in different centuries. That means it will be quite interesting to witness how they treat more or less the same material in a totally different way.



Well, obviously, hearing both concerts is the most promising approach. Which means we recommend that you buy the both tickets at a discount of 10 €.

Naturally, you can also only listen to one of the two.

For those who are not familiar with it:
Authentic sound quality means that the concert pitch is as it was at the time of composition, which means about 30 Hertz below the modern concert pitch. That can only be achieved with an orchestra that plays authentic instruments.

It is always my pleasure to advert the unique

Arcis-Vocalisten

RMD
(Translated by EG)

Roland Dürre
Thursday April 13th, 2017

IT-Treff – Nostalgia 1999 – It was Awesome!

Among the IF Blog documents, you can find a very special article. For a long time, it was hidden at the very bottom.

It is a satire on New Economy – a theatre play titled:

“Can we be saved?“

Norbert Weinberger and yours truly wrote it. The idea originated when we were on a flight from Munich via Zurich to New-Delhi with Swiss Air.

Swiss Air was a compromise that had taken long to agree upon. My friend and partner Norbert always flew Lufthansa Business Class as a matter of principle. And, just as true to my principles, I always flew Economy. Since we wanted to fly together, we compromised on Swiss air Business Class, because at the time the price was almost exactly halfway in between.

Incidentally, the reason for our flight was the official opening of our joint subsidiary company “AMPERSAND limited“. The trees grew into the heavens at the time.

The Business Class of the Swiss Air plane to New Delhi was completely empty. In those days, Swiss Air was still an independent airline and suffering from losses – but that did not matter to the friendly crew. The service was excellent, we were really mollycoddled. During the entire flight, charming stewardesses served us champagne. That was also one of the factors that made us bold. Consequently, we developed the rough concept for our theatre piece while flying.

Together with friends of ours who were also entrepreneurs, we had the first performance on June, 29th, 1999 with an audience of considerably more than 500 at IT-Treff 99 in the over-crowded Munich Schlachthof. It was great fun and the audience were enthusiastic. For us – the cast – it was mania. And additionally, it was a great outlook towards what happened around the turn of the millennium.

How did the IT Treff come about? In the mid-1990s, it was not always quite so easy for IT enterprises in Germany. The general feeling was not too good. Consequently, a few courageous IT entrepreneurs wanted to do something to improve the mood.

Their names were: Muschka Utpadel-Domdey, Alfred Bauer, Hans Nagel, Dr. Christian Roth, Markus Winkler and yours truly.

Our idea was: let us celebrate against the crisis. So we initiated the IT-Treff and invited the entire Munich IT scene. And alas – they all came.

Stars with names like Gerhard Polt and Django Asül performed for us and extended their programs to include IT-specific topics. The Bavarian Government was always on board – I remember well how Secretary of State Hans Spitzner gave us very special welcome addresses. There was always hot music – we even produced our own CD in the Schlachthof with the George Greene Hotline Band. In fact, to this day I enjoy listening to it.

And the entire IT sector danced. That was in the years 1996, 1997 and 1998. We had our last IT-Treff in 1999 – and we (the organization team) made our own cabaret IT-Treff Satire (1734) “Can we be Saved?“ – for you to read and imitate.

Since is it such a nice piece and was such a huge success, I offer a bonus for small and big theatres if they play it. You can call it a “negative performance fee” (royalty), which means you do not have to pay 10% of the turnover, but instead get something back. It is short and very much to the point – the prelude can also be used for other occasions besides celebrations.


 

Here is the IT Treff 1999 flyer from the outside

And from the inside

RMD
(Translated by Evelyn)

and Great and Unique Soloists and Orchestra!

 


In 1729, when Joh. Seb. Bach first played his “St-Matthew’s Passion” during the Good Friday Vespers in the Leipzig Thomas Church, the audience was overwhelmed. The huge cast with soloists, two choirs and orchestra, along with the moving expressiveness surpassed all that had ever been conceivable. Bach tells the Tale of the Woe Jesus lived in a very haunting way. It is a top work of musical history that forms the drama of what happens in the Passion to become one musical-theological entity.

“Between emotionally sung arias and salivating tuba choirs: humanity versus injustice and death. With his Arcis-Vocalisten, Thomas Gropper gains graphic expression, even though he does without martially blaring avowals. The chorales are permitted to stream in wonderful sensuality, which is a much more convincing way of giving the secret of faith a voice” (“Klar und lyrisch”/SZ 4/13).


 

The Arcis-Vocalisten are a very special choir, not only because Evelyn (EG), who translated many IF Blog articles, is one of them.

And to top it all:


IF Blog readers who would like to delight in the concert can get a special discount. If you are interested, just send me an email with reference to “Arcis-Vocalisten”.

RMD
(Translated by EG)

Roland Dürre
Saturday March 11th, 2017

Kässpatzen, Allgäu, Founders’ Scene and Digitalization.

Night is coming (Founders’ Villa in Kempten).

Yesterday, life again threw me towards the Allgäu. Thanks to Alexa, I was invited to see the “Kempten Founders’ Villa“ (Gründer-Villa Kempten), where I met young activists of all sexes and age groups. I met founders, entrepreneurs, persons looking for their own way in life and “world improvers” I very much liked. The feeling was a little like: “act local, think global“:

It was a beautiful experience that made me optimistic towards the future.

Because on March, 10, they had another one of their monthly meet-ups at the founders’ villa. On those occasions, what they do at the Founders’ Village is “networking”. You also get home-made Kässpatzn – and the invitations were issued by the two initiators and founders of the Founders’ Villa Simon Schnetzer (youth researcher) and Thomas Herzhoff (agency boss). Consequently, the Kässpatzen had been made by the two bosses Simon and Thomas personally in the comfortable Founders’ Villa kitchen.

Simon Schnetzer (right) and Thomas Herzhoff (founder of the Founders’ Villa).

And I can truly confirm: the Kässpatzen were excellent. They were just as tasty as in the “Oberen Mühle“ a little deeper in the Allgäu, in Bad Oberdorf (part of Bad Hindelang). And that is definitely some achievement!

And the many nice discussions were just as good as the food. Among the people were truly great types. They had very diverse interests and exciting dreams for their future.

Besides myself, there was another guest for whom it was also the first time. He introduced himself and his new role and told us that he is now supposed to found the “Kempten Digitalization Centre”. It is an activity sponsored by the Swabian Government in Augsburg and also subsidized by the Free State of Bavaria. The opening ceremony for the “digital office” or whatever is to be established is scheduled for June, 19th. However, he said he does not know if he can actually open on that day. Too many issues are still unclear.

The Kempten Founders’ Village lives.

Well, his words made me smile. So many things happen in the Allgäu. They have innovative enterprises and companies with a world-wide reputation. A founders’ scene starts to come to life.
The people are creative, looking for and finding alternatives and changing the world. They try things and do things. And then the people in Augsburg, the capital of Swabia, sends them a “digitalization centre” that is supposed to teach them digitalization. Probably “Digitalization for the Allgäu” as a gift from the Bavarian State Government.

The very term “digitalization”! From the times when watches and tachometers became digital. Years later, ISDN was introduced. But that, too, was a long time ago and those technologies have been archived in the Deutsches Museum long ago. Digitalization is ancient. Young persons have progressed way beyond that.

And in the Allgäu, the “Founders’ Villa” is a much better metaphor for forming the future than a centre that now wants to start digitalizing the Allgäu.

So let me, again, express my gratitude for the kind invitation to all and in particular to Simon and Thomas for their hospitality in the Kempten Founders’ Villa.

RMD
(Translated by EG)

P.S.
I took the pictures from the Kempten Gründer-Villa Kempten website.

P.S.1
In this article, I tried to describe how activities sponsored by the central administration reach in the “provinces”.

Roland Dürre
Tuesday January 17th, 2017

Prognoses are Difficult, Especially if they Concern the Future.

Complexity made by Visual-Braindump.de.

This sentence is not only said to have been spoken by Karl Valentin , but also by Mark Twain, Winston Churchill, Niels Bohr, Kurt Tucholsky (they all were rather intelligent persons). It clarifies a lot: prognoses are not at all easy – and the same is true for planning ahead. After all, planning is the little sister of the prognosis.

On Friday (February, 10th), I will give a presentation at high noon during the FORUM AGILE ADMINISTRATION 2017 in Stuttgart. The amusing title is:

“The inevitable unpredictability of the future“

Naturally, such a title was not something humble me came up with. Still, I find it suitable. After all, it sounds like the intellectual formulation of the simple truth that the future is not predictable. Just as they teach and write in the academic sociology and/or politics circles in their overblown way.
How am I supposed to plan for the future if I cannot even see the future? I will show you with a few examples how very seldom this will work.

I also would like to tell you how private enterprises will always make themselves scarce when matters get a little problematic. They are particularly keen on making themselves scarce if they managed to privatize good profit over many years and if then, as their life cycle nears its end, big deficits are on the horizon. Of course, deficits are something they want to burden society with, rather than face them themselves.

Whenever we are talking public agencies, this is not quite so easy. They have to survive disruptive situations, even in situations when a private enterprise would simply give up. Because life has to go on. Consequently, they need to maintain resilience, or do all they can in order to develop “anti-fragility”.

To be sure, resilience and anti-fragility are also just two additional buzzwords. They are supposed to make it clear that agile and flexible structures offer a huge advantage in times of change. And that strict processes can then easily kill a system.
I already have many ideas for my presentation. Now I am in the structuring and refining stage. I look forward to my presentation and my audience and would be delighted if I could welcome a few familiar faces in Stuttgart.

So here is all the information on the event. On the front page, you will find the program:

 

And details for the booking process can be found at the back of the page:

So I look forward to seeing you in Stuttgart.

RMD
(Translated by EG)

Roland Dürre
Monday November 28th, 2016

A Christmas Oratory that is a Little Different

Logo ArcisVocalisten
What would the advent and Christmas time be for music lovers without a Christmas Oratory?
Not only the fans of classical music find that the festive sound is an integral part of the quiet time of each year. And whenever the word “Christmas Oratory” is spoken, everybody knows immediately who is the composer: of course, the Leipzig Thomas cantor Johann Sebastian Bach! And there is definitely no other option. Or is there?

On Monday, December, 5th, 2016, at the Sendling Himmelfahrtskirche, you can find the proof that another baroque master, too, wrote a really great piece when composing his Christmas Oratory. It is absolutely great music that goes straight to the heart of the audience and creates a festive Christmas atmosphere almost by itself: we are talking the Christmas Oratory “Mache dich auf, werde Licht (Go Ahead, Become Light)”, a work written by Carl Heinrich Graun, who was impresario of Frederic the Great.

After having sung – and recorded in cooperation with the Bayerischer Rundfunk as a CD – Graun’s Passion Oratorio “Der Tod Jesu/The Death of Jesus” in 2014, the Arcis-Vocalisten have now worked on the Christmas masterpiece composed by the impresario of “Old Frederic”.

For Professor Thomas Gropper, the choir director of the Arcis-Vocalisten, it is the differences between this work and the ever-present Bach Oratorio that make the work on it particularly attractive:
“Even the libretto is structured totally different from how Bach did it in his Christmas Oratorio – Graun took only very few of the original sentences from the Gospel of Luke, instead making heavy use of free contemplation and dialogues”, says Gropper. “And there is much more of the “gallant” concept that will be setting new trend in Graun’s music than in that of the Thomas Cantor. Said concept being the already quite obviously emerging more sensitive style that became generally accepted at the time the work was composed in 1735”.

The masterpiece was only re-discovered in 1999 and is characterized by a skilful change between melodic and challengingly counterpoint-oriented choirs and sensitively voice-caressing arias that have been given an extremely colourful orchestral accompaniment: festive string and trumpet sounds on top of the Christmas Atmosphere. Well, it is a somewhat different Christmas Oratorio…

Source: ARCIS-VOCALISTEN
(Translated by EG)

As you all know, it is always my pleasure to advertise concerts by the Arcis-Vocalisten in my IF Blog. One of the reasons is that Evelyn is a passionate part of the choir, another reason is that their concerts are always a very special experience for the audience!

Mozart

 

 

 

Translation:

“Mozart’s music is so pure and beautiful that I consider it the inner beauty of the universe itself” (Albert Einstein).

“The taste of death is upon my tongue. I feel something that is not of this world” (Wolfgang Amadeus Mozart, last words on Dec, 5, 1791).

In Mozart’s mysterious legacy, his last work, this masterpiece of a requiem, both unquestionable faith and the constant mental occupation with death are ever-present. When, in July 1791, Earl Walsegg of Stuppach commissioned the requiem, Mozart thus composed his own death eulogy. Numerous legends have been told around the work, partly also promoted by the cinema hit “Amadeus”. The Requiem is one of the most touching works of clerical music and especially its religious depth and narrative drama make it such a unique and fascinating composition.

And it gets even better:
For IF Blog readers who would like to go to the concert, we have a special discount. Just contact me . The magic word is “Mozart“!

RMD
(Translated by EG)

P.S.
Here is another upcoming concert by the Arcis-Vocalisten on Silvester evening: Beethoven and Bruckner!

If you want something very special for the turn of the year!

I always tell you about the Arcis-Vocalisten concerts – not only because Evelyn (EG) is one of the singers, but also because the concerts are always something special, filling the hearts of the audience with great joy!

Beethoven

 

Translation:

“Music aims at filling your heart with noble emotions” (Confucius).

The 9th symphony by Ludwig van Beethoven is one of the most popular monumental masterpieces, the culmination point of his composing career. There is no other work that suggests the ideas of peace, freedom and fraternity more forcefully than this one. With its grandiose choir finish using Frederik Schiller’s “Ode to Joy” and its message of the fraternity of all humans, it is an elemental ritual to perform at the turn of the year: “All humans will be brothers where your gentle wing is present”.

We have a special discount for IF Blog readers who want to go to the concert …

All you need to do is contact me. The password is “Beethoven“.

RMD
(Translated by EG)

Roland Dürre
Monday August 29th, 2016

Jolly on Stage – September, 17th, in Munich!

Jolly believes in peace. So do I.

Jolly Kunjappu is a philosopher and artist, enterprise counsellor, coach and orator. Above all, he is a human being – and a musician.

At long last, you can again see him on stage. Along with Roykey Creo and iother friends of his!

Creo-Kunjappu_Poster-Konzert_DIN-A4 2

For tickets, see:München-Ticket. And here is more information on the concert.

Naturally, Jolly will also play a special song for PEACE.

I look forward to seeing many of you at Jolly’s very special concert!

RMD