Munich is a big city. In Munich, there is also a great theatre tradition. In former times, the “Resi“ (Residenztheater with various locations) and the Kammerspiele  dominated and fascinated me. Today, you get top theatre especially in the Volkstheater and perhaps also at an outsider in Freimann: the Metropoltheater.

However, we also have a huge variety of amateur theatres in Munich. I find the theatre troupe tgsm especially outstanding. With this opinion, I certainly do not want to discredit all the many other ambitioned “amateur actors“ in Munich who play with enormous enthusiasm on many stages. On the contrary, with theatre, it is just like in real life – the amateurs (people who do it because they love it, rather than for money) often need not feel inferior to the professionals.

Yesterday, I had the pleasure of a very special experience at the tgsm. It was a play that, unfortunately, is only rarely performed. Perhaps because it is unpleasant and because it hurts.

Fear and Misery in the Third Reich

by Bertolt Brecht (1898 – 1956)

Here is what it says in the tgsm brochure:

In 30 scenes, Brecht describes 30 moments of life in the Third Reich. Initially, he wanted to call the piece “Germany – a Horror Story“. The premiere was in 1938 in Paris with eight scenes. The individual scenes are separate units and are not combined to become a linear story. Yet, taken together, they are an image of life under the national-socialist regime. If you look closely enough, you will understand the mechanism of all dictatorships: polarisation, fear, defamation of minorities (enemy image) and demonstration of the government’s power on a daily basis. This is why the issue is also a current issue today and will always remain one.


I was worried when this evening started. Simply because I know that all the misery and atrocities of that time depress me. A short time ago, even riding my bike along the premises of the Dachau KZ gave me a sleepless night.
In the evening (at 10.30 p.m.), I rode home with a profound feeling of happiness. Which was totally the opposite of what I had expected. Because I had experienced great and precious theatre.

It made me particularly happy to have seen so many people (around 25 actors and around 15 supporters) who, in their free time and on a totally honorary basis, worked extremely hard to make something so great happen. And because I felt that those people saw the world like I see it.

Many thanks!


Here is the good news:
There are still a few performances, so you can watch the play! Here are the performance times:

June, 1st, 2018 (Friday)
June, 2nd, 2018 (Saturday)
Pasinger Fabrik, starting at 7.30 p.m.

June, 7th, 2018 (Thursday )
June, 8th, 2018 (Friday)
June, 9th, 2018 (Saturday)
Pepper Theater, Neuperlach, starting at 7.30 p.m.

June, 14th, 2018 (Thursday)
Neubiberg, Aula der Volksschule, Am Rathausplatz, starting at 8 p.m.

For tickets, click here.

And here are a few links to whet your appetite: a long comment on the debut at the end of which Konstantin Wecker sang a song. Naturally, he will not be present during all the other performances. You will then hear his song SAG NEIN as a recording. When we saw the performance, everybody sang along, so it was a great experience even without the master.

RMD
(Translated by EG)

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